Tag Archives: Amazing

Alex Brubaker – Deconstructing The Temporal Lobe [NEW MUSIC]

What would rock music be without the guitar?  What would most music today be without the guitar?  It’s difficult to imagine, and nearly impossible to really think about.  We wouldn’t have Elvis, The Beatles, The Rolling Stones, Bruce Springsteen, and other legends that have directly influenced much of today’s music.  Fortunately, we can all relax because the guitar exists.  However, for Alex Brubaker, the guitar is not just a guitar.  It’s a rhythm section and an entire musical ensemble that can be looped, distorted, delayed, scratched, hit, tapped, and transformed into new musical opportunities.  With influences ranging from Dream Theater to Trace Bundy, you might expect that his style would reflect progressive experimentation with this age-old instrument.  You would be close to correct, but listen for yourself to one of his songs called “Ice Mountain.”

After starting on prog rock and metal in high school, Brubaker transformed his style by applying the same ideas and techniques to the acoustic guitar, but that’s not all.  He has incorporated looping, tapping, alternate tuning, and using two guitars.  His creativity is refreshing and his ideas are unique.  Brubaker released his debut album called Deconstructing the Temporal Lobe in September 2009 after only two years of experimenting with percussive fingerstyle guitar.  You’ve got to give it another listen if you are the least bit interested in the guitar or if you just like music!  In this next song, Alex incorporates both acoustic and electric guitar to create a pretty dope riff.  It’s called “Phoenix.” Check it out.

Slightly different than your typical I IV V, huh?  In today’s music industry, we get sucked into songs with the same progressions, forms, rhythms, and bass lines.  It’s like walking through an art gallery with paintings, sculptures, and art forms that are just modern copies of what’s been done before.  They’re good, but they are just communicating what’s been said in earlier paintings without any creative change.  It’s not only rare to try to be an innovative artist, but it’s also difficult.  Similar to the rise of street art in recent years, the rise of new independent music has seemed to explode through channels like youtube and social media.  It’s easier now than ever to go searching for new artists and music because of technology.

Alex Brubaker likes to challenge music.  What new sounds can I make using this instrument, and what obscure pattern of rhythms can I fit here?  These are common questions for Alex.  His debut album Deconstructing the Temporal Lobe features sounds and feelings created by using the guitar in a variety of ways.  With electric and acoustic, distorted and clean, Alex displays a mixture of experimentation on the guitar that makes for great listening anytime.  Songs like “Phoenix” display powerful riffs with creative loops and textures, while songs like “Debris of a Brainstorm” take you from one melodic idea to another.  When you listen to Alex Brubaker’s songs, they allow your mind to relax and just listen, because each guitar medley paints an incredible picture.  Check out more of his music and purchase Deconstructing the Temporal Lobe at alexbrubakerguitar.com.

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC.

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Steve Aoki Live at Identity Music Festival in San Diego, CA [PHOTOS]

Steve Aoki Live at Identity Music Festival in San Diego, CA

Steve Aoki and Laidback Luke ft. Lil Jon– “Turbulence”

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Check out STEVE AOKI!!!

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

The Crystal Method Live at Identity Festival in San Diego, CA [PHOTOS]

The Crystal Method Live at Identity Festival in San Diego, CA

The Crystal Method– “Play for Real ft. The Heavy”

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CHECK THEM OUT!!!

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Cymbals Eat Guitars “Lenses Alien” [NEW MUSIC]

Cymbals Eat Guitars is an awesome band name.  Cymbals Eat Guitars is an awesome band.  Cymbals Eat Guitars is loud energetic and just the right kind of music for the mood I’m in right now.  I think I’m going to get tired of continuously typing Cymbals Eat Guitars, but I’ll do it for you in the name of rock and roll.  If you like this kind of stuff and hate typing, feel free to proceed.

Rifle Eye Sight (Proper Name) – Cymbals Eat Guitars

When I’m in the mood for distortion I think I have a new band to turn too.  Cymbals Eat Guitars is that band.  They hail from the NY/ New Jersey area.  Their record comes out today and, duh, I HAVE IT ALREADY so were gonna move through this, it’s going to get loud and soft and loud and soft and you’re going to like it.

Keep Me Waiting – Cymbals Eat Guitars

“Lenses Alien” was produced by John Agnello.  His past clients include the likes of Sonic Youth and Dinosaur Jr. two bands that make evident where Cymbals Eat Guitars draws their influence from.  Dinosaur Jr. is a hometown (Boston) band for me and also one of my favorite bands of all time so when I started putting 2 and 2 together I was excited to see the resemblances between the two acts.  I was also excited to see Cymbals take their obvious influence and turn it on its head.

There is a little more pop to their music.    I can only speak for “Lenses Alien” but I will most definitely be diving into their back catalog VERY soon (as in right after I’m done writing this entry.)   High powered heavy guitars, distinct melodic vocals and great bass lines are what is driving this record for me right now.

Definite Darkness – Cymbals Eat Guitars

Appropriately enough the band started with drums and guitars.  They have grown since then and found popularity on the indie rock circuit nationwide.  As I write this and listen to Lenses Alien I’m pretty blown away.  One of my favorite tracks is the eerie tune called The Current.

It has a driving rhythm throughout under darkly distorted vocals.  It’s a far stretch from the music I usually enjoy, but for some reason it stands out for me on an album of good stuff.  The juxtaposition between that and the following partially acoustic track, Wavelengths, was a really cool transition.

Wavelegnths – Cymbals Eat Guitars

Cymbals Eat Guitars is the perfect kind of rock music for pretty much anyone who wants a new flavor of style of music from our younger years.  Either that or if you are into guitar laden, harmonic, sonic or whatever else ends in “onic” type of music.  Lenses Alien is refreshing, loud and most of all this record is honest in the fact that even though the inspiration is obvious they have stayed true to themselves and have created awesome new music because of it.  Here’s the last track.  I love it.  A great ballad to leave us on a soft note… if your not in the mood to be left in a soft note just replay the damn thing from the top on today when you buy this record.

Gary Condit – Cymbals Eat Guitars

Cymbals Eat Guitars are about to tour from Boston to LA and back to NY for the fall.  They play LA’s Echo on the 7th of October.  See you there chumps.

By: Steve Rippin | Beat-Play Ambassador Los Angeles | @stevewithMWL|Music Without Labels & Beat-Play, LLC

Nashville Symphony with K.S. Rhoads at Live on the Green in Nashville, TN [SHOW/NEW MUSIC]

Live On The Green is a free yearly concert series that takes place every fall in downtown Nashville.  Last Thursday was the first show and kick off event for a number of great concerts yet to come featuring some great local artists.  After attending this show from start to finish, I highly recommend that you check out music from an artist named K.S. Rhoads.  He was the headline act of the night and performed with the Grammy Award winning Nashville Symphony Orchestra… but that’s not all.

It’s not everyday that an artist get’s an opportunity to play a show with an entire orchestra, but it’s quite a fitting opportunity for Rhoads.  Kevin grew up in Fort Myers, FL, where at age 15 he began focusing intensely on music, learning many instruments including bass, piano, and harmonica.  He purchased a four-track recorder in ninth grade and started to record his own music.  He moved to Nashville in 2001 after attending school in Texas, but it wasn’t until 2007 when he began work on his first album.  His debut, critically acclaimed album Dead Language was released in 2007.  It received excellent reviews from publications like American Songwriter who said it was “an exhibition in style, grace and limitless possibilities…”  Being a composer and music-producer, he has since written string arrangements for artists like Trent Dabbs, Erin McCarley, Third Day and By The Tree.  In addition, Rhoads has had continued success as an American songwriter with songs on shows like CSI: Miami and World of Jenks on MTV.  From songwriting and performing to composing and producing, K.S. Rhoads has immersed himself in music and isn’t stopping anytime soon.  Check out this video of “Dark Hotel” from the album Dead Language by K.S. Rhoads.

After months of preparation, he took the stage last Thursday with his band and the 70-piece Grammy winning Nashville Symphony Orchestra in downtown Nashville to put on one of the greatest performances of his career.  Rhoads had been working on this performance since March 2011 and scored all of the music himself.  He began the set with a really cool new song called “Invisible Fortress” by looping beat box, vocal harmonies, and piano riffs.  After establishing this creative foundation for the song, he added his band and orchestra to produce a beautiful full sound.  They continued to perform songs from his new album, and even covered Paul Simon and Katy Perry with the full orchestra.  While the covers were truly entertaining, I really enjoyed his original songs.   My favorite song of the night was a powerful new song by Rhoads called “The Wilderness.”  The song’s presence resembled that of “Wake Up” by Arcade Fire, and it was awesome.  Rhoads said that his ultimate goal with this project was “for people to come hear it and really get how important and still current classical music is,” and how it relates to the music of today.  It’s a great goal, and Rhoads definitely accomplished it.

But wait, there’s more!  His big performance also marked the debut of a five song EP called Cannons containing three unreleased songs from his soon to be released second album called The Wilderness.  Click on the album cover below to snag a copy and/or visit his website for more music and information on K.S. Rhoads!

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play, Music Without Labels, LLC

Datsik Live at Identity Music Festival in San Diego, CA [PHOTOS]

Datsik Live at Identity Music Festival in San Diego, CA

Datsik– “Gizmo”

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CHECK OUT DATSIK!!!

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Pretty Lights Live at Identity Music Festival in San Diego, CA [PHOTOS]

Pretty Lights Live at Identity Music Festival in San Diego, CA

Pretty Lights– “Hot Like Sauce”

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Check out Pretty Lights for FREE DOWNLOADS

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Nero Live at Identity Music Festival in San Diego, CA [PHOTOS]

Nero Live at Identity Music Festival in San Diego, CA

Nero-“Promises”

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Check out NERO!!!

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Afrojack Live at Identity Music Festival in San Diego, CA [PHOTOS]

Afrojack Live at Identity Music Festival in San Diego, CA (With Special Guest Steve Aoki!)

Afrojack– “Funk With Me”

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Check out Afrojack!!!

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Musicians Corner at Centennial Park in Nashville, TN [SHOW/NEW MUSIC]

After sweating for a couple hours at The National Folk Festival last Saturday, I decided to head over to Centennial Park where Nashville was kicking off its free fall concert series called Musicians Corner.  Two events in one day?  Well, three actually.  I ended up going to another concert later that night, but I haven’t written about that yet.  Musicians Corner featured seven bands from 3pm to 6pm on a medium-sized stage with a decent turnout of a few hundred people at its height.  The artists that played this week were The CO, Metro Parks Jamband, Andrew Osenga, Foxes Have Foxholes, Damien Horne, Striking Matches, and Attwater.

I arrived a little late and missed The CO open up with their set, so I’ll have to catch them at another event in the future.  I did get there just in time to hear Metro Parks Jamband finish up their set with a funky sax and guitar duet.  Next up was American singer/songwriter Andrew Osenga.  He was formerly the lead singer for The Normals and is a member of the band Caedmon’s Call.  His performance on Saturday took place as part of his solo career, for which he has released four albums.  The bands rhythms and tones were super tight, and the crowd really took to his music.  After Andrew Osenga, Foxes Have Foxholes took the stage and played an acoustic set with just two of their members.  The pop rock duo serenaded listeners with a short set of a few songs that they will hopefully be performing live at their next show as a full band tonight at 12th & Porter.

The next act was Damien Horne, a pop-rock soul artist from Nashville.  Also known as Mista D, Damien has collaborated and performed with Bon Jovi, Kid Rock, John Legend, 3 Doors Down, Hank Williams Jr., Faith Hill, Robert Randolf, Jewel, Velvet Revolver, and more.  Damien is working with John Legend who when asked about Damien said, “I’ve been working with this guy who is based in Nashville, his name is Damien Horne, he’s good.  Look out for him, he’s a good song-writer and performer.  He plays the guitar too.”  You can get some free downloads of his music on his website.  Check out this video of Damien Horne performing “Sacrifice” live at The Rutledge.

I posted an article two months ago about a blues duo called Striking Matches.  They were the next band to play at Musicians Corner and they were a huge hit.  Performing as a duo with their acoustic guitars, Justin and Sarah had a great set showcasing their clever songwriting, tight harmonies, and ripping solos.  Like I said before, this is a Nashville band that you want to keep close tabs on because of their huge potential.  The last band to perform was Attwatter.

Attwater is a country band from Sacramento, CA that signed with the independent production company and label, Twenty Ten Music in December of 2010.  They were discovered through Twitter by Grammy Award-winning producer Charlie Peacock (The Civil Wars, Switchfoot), the Sr. VP of A&R for Twenty Ten Music.  Check out this official music video of Attwater’s first single called “Never Gonna Happen.”

You can download the song for free at http://www.attwatermusic.com/.  Attwater’s foundations lie with Erika Attwater and Jonathan Richards, the duo songwriting team that first started the band.  Their discovery occurred after they played their first set of tunes in the Northern California Area.  With a good product and intentional use of social networks, Attwater was picked up by Charlie Peacock and the band was on its way to having a beast of a debut project.  The recordings include co-writes and musicians from some really great teams that have produced music for Carrie Underwood, Sixpence None The Richer, Faith Hill, Taylor Swift, The Civil Wars, Lady Antebellum, and more.  Attwater’s music combines modern country with bluegrass flavors and classic rock roots.  Keep an eye on the country charts for this band and stay tuned for an article on next week’s Musician’s Corner!

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC