Tag Archives: Interview

Mizon Album Review and Interview – SICK Metal Band – Denver, Co

Band Name:
Mizon (pronounced MY-ZON)

Album Title:
Mizon ( 4 – Track Demo)

Band Members and Positions:
Justin Hood – Vocals
Taylor Hood – Guitar (manager)
Matt Austin – Guitar
Chad Falletti – Bass
Morgan Townsend – Drums

Genre:
Metal / Progressive / Psychedelic

Lisa Lavie Talks to Music Without Labels About Her Success

Awesome interview with Lisa Lavie. She is an amazing example to follow for independent artists everywhere. Thanks Lisa!

Subscribe to Lisa’s Youtube channel: http://www.youtube.com/user/lisalavie1

Interview with V.I. – Musician’s Institute in Hollywood Student


So give us some background, where are you originally from?

Well my name’s Vic (V.I.). I’ve been rapping n making music for about two years. I’m just starting to get serious with music, n I’m trying to take things to a new level! I’m originally from northern California, bout n hour north of San Francisco. Couple months ago I moved to L.A. to become closer to the music scene.

You are currently attending the Musician’s Institute in Hollywood, Correct?

Yea, I’ve been in the Recording Engineer program for about half a year trying to increase my knowledge!

Tell us why you decided to attend the Musicians Institute.

I basically just wanted to learn more about the craft I was passionate about. I figured that if I went to a school that specialized in recording music I would have a better chance one for getting noticed n two being close to the industry.

It just seemed like a win-win to me.

What do you expect to gain as an independent artist by attending the Musicians Institute?

I’ve already acquired so much information that I had no idea about prior to going to MI. I mean my ears have adapted to be able to recognize center frequencies, microphone tones, room ambience, n so much more. What I really expect to gain are new contacts who already have a foot in the door in the industry. Maybe with some luck I’ll get my foot in the door as well.

Tell us about some of your experiences at school and how they have motivated you to become a better artist.

First and foremost would have to be my teachers; they motivate me n push me when I need it. Just being around people that have produced platinum and gold records is motivation. Being able to record live artists, get in major studios n track my own material is such a major opportunity that never would have been possible if I weren’t in the environment I’m in.

Do you think your choice to go to a music school is going to give you a better advantage in the music industry and if so, why do you think that is?

I think in the long run my decision will b very beneficial. In talking with numerous people in the business, it’s all about working your way through the system. Now having had real professional studio training, I think I have a definite advantage over the average working artist. It’s about knowing gear and having proper studio etiquette that sets MI student apart from the average musician.

So my decision has, and will continue to be, beneficial.

Now that you have attended the Musician’s Institute for a little while, is music school something you would suggest to fellow indie artists and producers and why?

I would definitely suggest that any serious artist consider education in the music industry. Whether it be at MI, Full Sail, LA Recording School, or anywhere else for that matter, it is just so beneficial to have proper professional instruction in certain aspects of the trade. The amount of exposure you get from one of these types of schools is unprecedented. You will learn so much about gear, recording techniques n little things we as amateur artists wouldn’t even consider; not going to an institute or getting assistance almost seems foolish. So I would most definitely suggest a reputable school to a fellow artist. It’s well worth the investment

Do you find yourself more focused on your career in the music industry than you did prior to attending music school and if so, why do you think that is?

That question has a two part answer. Being where I am n being around the people that im surrounded by is exhilarating n inspirational. For that reason my level of focus is somewhere it’s never been before. But also having tons of information thrown at you is a bit of a focus killer, if u know what I mean. The balance between knowledge and creativity seems to clash when I work. Before, I would create music so freely. Now when I create something I take into consideration levels, panning, Eq, correct compression, mic placement, plosives, the list goes on. And although these are good things to keep in mind, I find that sometimes it can ruin work flow.

Tell us about some of your favorite teachers and how they affect your creativity and development as an artist.

I’ve had several of favorite teachers… Ted Greenburg, Mark Nonisa, Jim Morgan, and Dave Hewitt just to name a few. They’ve all helped me and inspired me in different ways. But they all have the same central focus which is to help their students. They give me insight when I ask them to listen to a mix, they offer suggestions to help the creativity, n they all genuinely care about the outcome of my projects. Their support and encouragement have helped me exponentially in becoming a better artist.

Do you have any new projects you are currently working on that we should keep an eye out for?

I definitely have projects you should keep an eye out for…

I’m currently working on an album with an artist from back home called “The Archive” n I’m always busy with the mixtape I’m involved with from Two $cholars $hort. Also everyweek or so I update my facebook n myspace profile with new music…. So keep your ears open!

We want to thank you for taking the time out to speak with us today and for your support of MWL and Beat-Play.

Thank You,

-V.I.

Interviewed by: Jimmy Iles – Director of Operations Beat-Play, LLC

Extra Note from MWL: If you’re thinking about a music school but don’t want to move to California, or Florida, or Tennessee, don’t forget to check out the awesome online music programs out there, like Berklee and Full Sail’s programs.

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Interview with Salem on the Risan Project – The International Multi-Media ECO Tour

We had a great opportunity to talk with Todd Anders, the lead singer and drummer from the band Salem, based out of Boulder CO. Salem is currently on the Risan Project Tour.

Todd, can you give us a little background about the tour and what the main message of the tour is?

The Risan Project utilizes multi-media events to raise awareness of climate change and the praxis of alternative lifestyles. The message of the tour is derived from the belief that environmental policy must reflect the acknowledgement of a global climate crisis. Affecting policy decisions begins with knowledge and awareness of the current state of the environment and alternatives to current systems of energy production and usage.

Who are some of the people behind the Risan Project?

The 2009-2010 tour features Boulder’s conscious funk, jazz hip-hop band, Salem; film premiers with Sweetgrass Productions’ latest film, “Signatures”; the film-short “Generations” produced by Protect Our Winters/Northface/Teton Gravity Research, the Kyrgzystan Plan and appearances with presenters from Al Gore’s Climate Project and Olympic athletes from the Climate Project “Play It Cool” Campaign. The Risan Project is also working towards powering select events with solar and wind-powered sound systems with Atlanta’s Tree Power & Sound and San Diego’s Sustainable Waves.

What were some of the reasons you wanted Salem to become part of this tour?

I think that combining live music with films and presentations can bring a message to a wide audience while still being entertaining. Salem lyrics address themes of social justice and I have been involved in various awareness tours such as Bono’s One Campaign in Philadelphia. I have found that we can bring these themes to other social forums.

If someone was interested in coming to a Risan Project Tour show, what can they expect to see?

They would typically see films, a speaker or presentation and live music.

You and the band have been on tour for a couple months now, can you give us some of the places you have been recently and how the fans have responded to you and the Risan Project Tour message?

We toured to Park City, Utah and thoughout Colorado; through Wyoming and Montana and a 2 week British Columbia and Alberta tour along the Powder Highway. We just returned from a tour to Washington state with shows at clubs, breweries, wineries and a stop in Sun Valley on the way back to Boulder.

The reception has been great; “Signatures” is an acclaimed ski film and the response has been positive. The “Generations” film short is also a good merging of climate knowledge and perspectives of regular folks and pro skiers that carries the message well. The Canadian tour included speakers from the Canadian Climate Project as well as Gold Olympian, Adam Kreek.

What are some of the alternative ways of transportation people can use that can help slow down the effects of the ice cap and glacier melting?

I have met Tai Robinson in Park City who spoke at our event there. He runs Intergalactic Hydrogen which outfits cars and trucks with alternative energy systems like electric power and natural gas engines. We are working towards outfitting a sprinter with four wheel drive and electric and bio diesel systems with him. Utah has the nation’s leading natural gas fill up stations. Tai utilizes several alternatives combined as a substitute for normal gas and diesel engines.

If someone wanted to learn more and wanted to get involved in the Risan Project, where can they go for information?

Our site is http://www.risanproject.com and a short video that I produced which features my music, Alaskan glacier footage and interviews  with climatologists and mountaineers is on youtube at:

Salem is very conscious about the environment and the effects we as people have on our planet. What are some of the other environmental issues you tackle and how does that play a part in the creation of your music?

We are touring with music, films and presentations that address environmental issues. We are working with companies that incorporate  solar and alternative energy into their productions. We are working towards having our own mobile Salem bio diesel/electric/solar tour vehicle and will perform off the grid shows. Salem lyrics follow the historic tradition of relating music to social issues and I believe that it is a means to making change in our lives and the nation that we live in.

I want to thank Todd Anders very much for this extremely insightful look into their latest awesome project, and we will definitely check back with him in the future to catch the progress of this very progressive tour.

Interviewed by: Jimmy Iles, Director of Operations Beat-Play, LLC

UnderGroundHipHop.com Manager Van Stylez Talks About Blowing up the Underground

UnderGroundHipHop.com

Interview at the Boston Headquarters:

Get the Warehouse Tour:

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Tim Britt From NoManZero Interview With Music Without Labels & Beat-Play

Give us some background. Where are you from originally, where are you now, how did you get there?

NoManZero started as a project between myself, and a former band-mate, Ron Luke as an effort to get signed to a major label in the late-90s. We got some “spec” deals from local professional studios that shopped us to the big labels but we missed the boat as that Seattle type of sound was not longer the hottest thing on the market. But we still liked the sound a lot and didn’t feel compelled to chase whatever was new at the time so we stuck with it after a year or two break that allowed me to get my Masters in Music Technology from New York University in 2002 which obviously kept me musically sharp during that time.

Ultimately, we financed the album ourselves ($15,000 of pure analog 2”tape recordings) and we finished it up in 2007. However, my former band-mate left the band not too long after due to forces beyond his control and in the end, I was the last one standing from the original 3 man line-up that recorded the album. It took till now to line-up a solid band that can tour the record. But all is well that ends well so no complaints and ultimately, things worked out for the better and usually do if you keep your head together and don’t panic.

What Genre would you classify yourself as?           

NoManZero is 90’s style alternative rock with some classic rock thrown into the mix. We are a hard rockish guitar band but not as heavy as the most molten metal the scene is seeing now…as no cookie monster vocals. Our current singer sings throughout the entire song which doesn’t always happen these days.

What is it that drove you to pursue a career in music, and what it is that drives you individually as a musician?

Like most people in this biz, the pure joy of listening to your most favorite musical stars is a real influence. Guitarists like Jimi Hendrix and Van Halen brought me (and millions of others to this day) such fun and excitement as a kid that I basically didn’t want that party to end. It seemed to be something I had a knack for and I just like being in a band. It’s a blast and I would recommend it highly if you are willing to get it together which takes a lot of work continuously over a period of years.

What struggles have you faced with having your music heard and getting your name recognized by outside markets?

NoManZero and virtually any band face the hurdle of an over saturated market.

A rock band making a recording is very, very common these days. But we met this challenge by employing a producer known for working with world class acts and taking the time to get the best out of the songs we had ready to go. And  I see the next question and that will explain a rather unique approach we took to get our music heard in outside markets.

 

What kinds of things do you do to promote yourself?           

We did something that to our knowledge and the people we worked with had never been done. We worked with a special group of Chinese dissidents to craft songs that promoted freedom in China and simultaneously expressed a rock attitude that we were comfortable with. This was following in the footsteps of giants before us like John Lennon and Jimi Hendrix that stood up for things they believed in by involving their music. That led to videos being made of our songs that have broadcast on the alternative free Chinese community TV network, New Tang Dynasty Television which broadcasts worldwide. These videos are out there on some sites still and hopefully we can get them on to a site controlled by you guys too.

 

I should say so that all involved with this saw it as a “win win” situation. NoManZero knows how many amazing and talented bands there are out there and we wanted to differentiate ourselves from the pack. And we did but we also like playing in front of crowds that like to have fun and will freely admit that we are not really any different than other bands who get into this for the fun that it really is. But we were lucky to have been offered the opportunity to support a good cause while having a good time.

 

Is there a predominant message you hope to get across In your songs?

As it turns out, the general theme of this record, “Global Warning” seems to be pretty up to date even though some of the songs were originally penned back in the 90’s. That general theme is that full-on corporate or institutionalized greed can breed some very bad things that ultimately stop a huge number of people from enjoying this life so beware and take care of yourself. That over arching message grew to include the Chinese situation I referred to earlier. Interestingly enough, as our country continues to slip deeper and deeper into debt with China as of late, this album is more current now in regards to the message than it was when the songs were written. The musical style may owe a certain amount to the 90’s but music is all over the map so that doesn’t have to be considered a bad thing.

What are your thoughts on the future of the music industry and where it’s going?

Well to be honest, and this is not meant to try and get into Beat Play’s favorite list, but sites like this have taken over the industry. Everyone knows the business has de-centralized and that it is a new game. It is NOT “meet the new boss, same as the old boss” as The Who said back in the day. There is a new boss and in most cases, look in the mirror and you will see that boss. We are an independent band and call the shots. That has allowed us to write controversial songs that are banned in China and our videos are not G rated…they show what really happened in China to students who rallied for democracy. What’s going down in Iran right now is a apt parallel to be honest.

Are you currently unsigned, and do you plan on staying independent?

After our initial experience in the 90’s with professional recording studios shopping us to the major labels being a failure, we turned our back on the big business as an option for NoManZero for good. We are unsigned and will remain that way.

What are your reasons for being an independent artist?           

Well in our case it’s a bit different but a large reason is we don’t want to be censored by an outside authority who decides what we can write songs about. The other reason is that we already paid to record the album, and with digital distribution, we likely stand to better having 100% of the proceeds come back to us rather than 80% going to a record company for minimal promotion. The days of multi-million dollar advances are over from what we can see.

Who are some of your favorite artists?           

Personally, I really like Alter Bridge. We had a chance open up for them in NYC at Washington Square Park where I went to school at NYU, but the permit fell through. But those guys, Jimi Hendrix, Soundgarden, Hinder, Fuel…all guitar driven bands are at the top of my list including the legendary Lynyrd Skynyrd.

Do you ever feel that people will be missing out on your music because you are not signed to a major record label?

Likely that is the case but bands can’t depend on a major label to do everything for them. Staind sold 2,000 copies in the Springfield, Mass areas as an independent band and that helped cement them into a deal. Creed did the same thing in Florida. So we responsibility to get our music heard is our own shoulders. If we can’t make things happen on our own, no major label would be able to as well. And by the time a band is rolling, they may very well want to stay independent because they have done the work and will be reaping all the rewards rather than splitting them up with a big company.

Your art can be very experimental. Do you ever wish there was an easier way to access the music you sample from, or wish that you had access to a huge library of undiscovered music, which is updated everyday by itself?

Certainly, time is in very, very short supply for NoManZero these days. With all of the obligations of writing new songs, rehearsing, keeping up with technology and booking and playing live shows, we don’t have time to look around for undiscovered music. So having this be a simple process done for us that gives back good music we like would be wonderful thing.

What would you say if I told you that there’s a new force in Independent Music that will give you all of the power of the Major Labels and more, while at the same time giving you complete control over all aspects of your musical career, and you will never have to sign a thing?

Three words…..BRING IT ON!!!

And you would have access to the worlds first ever audio component auction, where pieces of songs are sold off at auction prices to be repurposed in other songs.  What kind of impact do you think that would have on your music?

As long as our message in our songs was not changed, it sounds like something that could work out well for all involved.

The only catch is you have to choose to use it to your benefit, or not.

Exactly, each situation is unique but being open minded to new things is a very good thing in this business.

It’s called Beat-Play.

Honestly, all of us in NoManZero are really looking forward to seeing this new paradigm come into existence and appreciate you checking out what we are doing now.

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Music Without Labels & Beat-Play Interview With Craig Range

Give us some background. Where are you from originally, where are you now, how did you get there?

I am originally from Long Island, NY. I am now living in Georgetown, MA. After high school, I received a Vocal Scholarship to Rollins College in Winter Park, FL. After graduating from Rollins, I then continued my life in Mansfield, Texas. Texas and I didn’t mix, so I moved to Los Angeles to pursue my dream of getting discovered as an artist. I lived in L.A. for 8 years performing, writing / co-writing and teaching. I made countless connections and played a great amount of shows. I had my own funk band that made everyone dance all night when we played! The changing of times and goals moved me out of L.A. into Massachusetts this past October. I thought that being a big fish in a smaller pond would help things, and it has.

What Genre would you classify yourself as?

I would classify my music as Funky Pop.

What is it that drove you to pursue a career in music, along with what drives you individually as a musician?

I have always been in front of crowds singing and performing, and I am extremely comfortable in that setting, and love it. When I started writing music, I realized that it was what I was “supposed to be doing”!

What struggles have you faced with having your music heard and getting your name recognized by outside markets?

I think that I have gotten more positive feedback rather than bad but it seems that the higher ups, that could make my music heard WORLD WIDE, don’t want to take a chance on something new and different even though it’s good.

What kinds of things do you do to promote yourself?

Performing live shows as much as possible while promoting online via Myspace, Facebook, Bebo, Imeam and email Blast lists. I’ve also recently joined the New England Songwriters guild.

Is there a predominant message you hope to get across in your songs?

I preach the law of attraction, visualizing what you want and bringing it to your self through this law. I also write about LOVE a lot because I am very fortunate to have found it. Six out of the eleven tracks on my album VISUALIZE (’09) are about the love of my life.

What are your thoughts on the future of the music industry and where it’s going?

I know it will be harder for us musicians to get noticed, but I think that if you want it bad enough, and are good enough, YOU WILL SHINE THROUGH. Music is needed in this crazy world and I can’t think of anything I would rather do than write music to make people feel better, or DANCE!

Are you currently unsigned, and do you plan on staying independent?

I had been signed by GoDigital Media Group, based out of Santa Monica, CA. They put my album online ONLY, on about 8 online music stores. (iTUNES, Napster, Amazon mp3, Aimey Street, Rhapsody… etc.) This group has done very little else besides putting my songs online. Virtually NO promotion. The songs are online but won’t sell because I don’t know how to promote! I am not really with them anymore since I moved, but my songs are still online represented by them.

What are your reasons for being an independent artist?

Mainly because there was no label interest.

Who are some of your favorite artists?

Stevie Wonder, James Brown, Billy Joel, Michael Jackson.

Do you ever feel that people will be missing out on your music because you are not signed to a major record label?

ABSOLUTELY. All I want to do is be heard, and do it for a living. I don’t need “Bling”!

Your art can be very experimental. Do you ever wish there was an easier way to access the music you sample from, or wish that you had access to a huge library of undiscovered music, which is updated everyday by itself?

I don’t sample music but a huge library of music would be nice.

What would you say if I told you that there’s a new force in Independent Music that will give you all of the power of the Major Labels and more, while at the same time giving you complete control over all aspects of your musical career, and you will never have to sign a thing?

Sounds too good to be true!

And you would have access to the worlds first ever audio component auction, where pieces of songs are sold off at auction prices to be repurposed in other songs. What kind of impact do you think that would have on your music?

It could be very interesting.

The only catch is you have to choose to use it to your benefit, or not.

Music Without Labels & Beat-Play

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MWL Interview with Lokeii

Give us some background where are you originally from?
I am originally from Colorado. I was born in Littleton, Colorado. When I was a year old, my family and I moved to California. I lived in Orange County until I was six years old, then we relocated to Dallas, Texas. After Dallas, we moved to St. Louis, MO and I lived there from fourth grade until I graduated from high school. I normally tell people I am from four states. Each state I have lived in is a deep part of my psyche and has formed my perception of the world. The easy answer would be St. Louis because that is where I spent the majority of my life, but like I previously stated, I consider the other three states a very important part of my life.

You are currently attending the Musicians Institute in Hollywood Correct?
Yes, that is correct. Tell us why you decided to attend the Musicians Institute in Hollywood.
I just graduated from Colorado State University, and I wanted to further my education. Music has been my passion ever since I can remember, so I decided that there was no better way to continue my education than through a music school. I wasn’t ready to go into the corporate world like my brother and father, (because that’s not my style), so I decided to attend the Musicians Institute in Hollywood. For one, I am an artist and I produce and mix my own music. I realized that the best option for me to pursue my dreams would be to come to Hollywood (the epicenter of entertainment), and learn how to become a sound engineer so I could engineer my own music while learning the other components that make up the music industry. They teach you a wide range of the skills needed to be successful in the industry such as; how to hear sound correctly, recognize frequencies and understand how to conduct a session and run a studio, along with a lot more valuable information. What do you expect to gain as an independent artist by attending the Musicians Institute?
I expect to gain a multitude of things by attending M.I. as an independent artist. For one, M.I. is an incredible place for networking and getting your name “out there”. All of the teachers that teach at M.I. are extremely qualified and proven in the industry. They all have connections and they all know their trade to the smallest details. Some have received Grammy’s for their work; most if not all have worked and still work with famous and established musicians. For example, one of my engineer instructors has worked with 311, Brian McKnight, Bone Thugs, and Def Leppard. In fact, that particular engineer is so good at his job that McKnight pays him just to be in the studio when he’s recording to make sure nothing goes wrong and everything is exactly like Brian wants it. He isn’t even his sound engineer anymore; he is just paid to be there. Another great thing that I have already gained through M.I. are the connections that you make with your peers. I have already started collaborating with my boy V.I. (Vic) who I met at M.I., and we have formed a band called Two $cholars $hort. I have met a plethora of musicians who I also intend to collaborate with: guitarists, violinists, pianists, drummers, keyboard players, vocalists, etc., all at different talent levels from pro to beginner.

Tell us about some of your experiences at school and how they have motivated you to become a better artist.
The school has clinics every week that feature various musicians or prominent producers/people in the industry who come and speak at the school. Scientist will be coming to give a clinic soon and that should be a very influential and informal lesson. These clinics give additional information that we might not learn in class or elsewhere. There are often live shows occurring as well and that is inspirational to see because it makes you realize how talented your fellow students and teachers are.
Do you think your choice to go to a music school is going to give you a better advantage in the music industry and if so, why do you think that is? Absolutely. In the small amount of time I have been attending M.I. I have already learned twice as much about the industry than I previously knew. They provide a large amount of information that you can’t read in books, and that I feel a lot of people don’t know. They tell you the mistakes they made so you can learn from them. Also, it won’t hurt to have a college degree and an education from one of the best music schools in the world.
Now that you have attended the Musicians Institute in Hollywood for a little while, is music school something you would suggest to fellow indie artists and producers and why?
Definitely, you should never stop learning and challenging yourself, and as cliché as the saying is “knowledge is power”, it’s true. There is a lot to learn from the teaching staff at M.I., and the equipment at the school is world class. In Studio A, there is a beautiful SSL 4000G console with forty-eight channels, top of the line monitors, and a solid acoustic room for recording. The networking and connections that you can make at this school is unbelievable, and the location is perfect. The information that you receive at the school will only further your level of expertise, and you will have more control over your sound and vision.
Do you find yourself more focused on your career in the music industry than you did prior to attending music school and if so, why do you think that is?
I am more focused that I have ever been. I finally have the tools to further my career and education in the music industry. At the school all of the top of the line equipment is at my fingertips and I am being taught how to use it all. It is very exciting and I can’t wait until I have my own studio. I am more focused because, unlike other places I have lived, Hollywood is all about entertainment, and that is my passion. Every type of music that you want to explore is located here, and the amount of musicians and artists that come here is astronomical. Tell us about some of your favorite teachers and how they affect your creativity and development as an artist.
It’s hard to single out a single instructor that I have at M.I. because they are all so talented and cool. A couple would be David Hewitt, Ted Greenberg, TJ Helmerch, and Otto (superotto.com). Dave is very relaxed and chill individual who has a lot to teach because he’s seen it all and experienced it too. TJ is one of the founders of the RIT program at M.I. and a very talented musician. Ted has received multiple Grammy’s for his work in “Standing in the Shadow of Motown”, and is a very intelligent man. Otto is a certified master of both Pro tools 8 LE and HD, and Logic 9. I almost forgot Nels Jensen who is a bad ass with pro-tool, production, mixing, and post-production. He has worked with Flight of the Concords, (he engineered their last season), Jamie Foxx, and other successful musicians and artists. You are originally from the mid west and now you are on the west coast. Tell us, have you noticed any differences in the struggles of being an independent artist in St. Louis vs. Hollywood?
No, not really. I would say that everything is working out better if anything out on the West Coast. Even though there is a massive over-saturation on the music market right now, especially for hip-hop, the networking and capabilities here are far more substantial than the Midwest. Don’t get me wrong; St. Louis has it on lockdown. I just wasn’t able to make the connections that I am here. Do you have any new projects you are currently working on that we should keep an eye out for?
Always. Especially right now. My buddy V.I. and I just created a new band called Two $cholars $hort. We’re working on our first album, and we’ll hopefully have it out in a couple of months. In the meantime, you can go to my website on myspace, myspace.com/lokeiistl, and check out some of the tracks. I’m going to put up some of the new tracks we’ve been pouring our heart and soul into, but only just a taste. I got to keep you hungry so I can feed you later.
We want to thank you for taking the time out to speak with us today and for your support of MWL and Beat-Play.

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