Tag Archives: Youtube

Blitzen Trapper “American Goldwing” [NEW MUSIC]

I want a porch.  I want a friggin’ porch so bad.  If I had my way I would move out of my Hollywood apartment away from my homeless neighbors who live on the stoop and the drunk assholes ready to kill someone over a double double from In and Out real fast.  I want a porch.  I want to sit on it and I want to listen to music and relax and drink a lot of beer without a care in the world.  I would have massive speakers and a rocking chair.  That to me at the moment is “the life”.  With Blitzen Trapper as my band of choice and their newest record “American Goldwing” as the soundtrack to my laid back afternoon I think I’m on to something here.

Might Find It Cheap – Blitzen Trapper

Indie rock, folk rock, southern rock, call it what you will Blitzen Trapper is a rock band.  They call Portland, Oregon home and have been touring heavily for the last few years.  They just released “American Goldwing.”  It’s one part rock and roll guitar laden, drum heavy grooves and one part distinct cool vocals with a southern twist.  Blitzen Trapper have created a sound all their own and I’m sold 100% on what they are selling.  Next track is called “Fletcher” which is one of my favortie tracks on the record.

Fletcher – Blitzen Trapper

After releasing Furr in 2008 Blitzen Trapper fell onto my radar.  After seeing them at Coachella Music and Arts Fest later that year (or in 09, I can’t remember) I couldn’t get them out of my head.  I have been following them on and off since then.  They released an awesome record called “Destroyer of The Void” in 2010 and now American Goldwing is just solidifying what I saw years ago.  These guys are tight and have honed this music and are perfecting it.

Your Crying Eyes – Blitzen Trapper

Despite being from Portland Blitzen Trapper has a little bit of a southern twang to them and then they just kick you right in the junk with a tune like Your Crying Eyes.  I think thats what I like most about these guys.  They have that southern influence that eases you into the music with familiarity and then they turn up the volume.

The band currently has six members with Eric Early on guitar and vocals with Brian Adrian Koch and Marty Marquis on drums and vocals and guitar and keyboards respectively.  The vocal duties are supported Erik Menteer on Guitar and Keyboards, Michael VanPelt on bass.

Girl In A Coat – Blitzen Trapper

Blitzen Trapper is currently on tour.  Lucky for me they are wrapping up their tour on November 17th at the Music Box in Hollywood.  Tour dates page is HERE.  Their new album “American Goldwing” is available anywhere where people care about good music, so basically the internet and Amoeba Music on Sunset Blvd.  Here are a couple final tracks from “American Goldwing.”  One rockin’ and the last track which is not so rockin’ but a great way to end the record.  Check these guys out when they are in your town.  In fact go out of your way by hours and hundreds of miles to see these dudes.  It’s worth it.

Astronaut – Blitzen Trapper

Stranger In A Strange Land – Blitzen Trapper

By: Steve Rippin | Beat-Play Ambassador Los Angeles | @stevewithMWL|Music Without Labels & Beat-Play, LLC

The Muppets “The Green Album” [NEW MUSIC]

Muppets fans get ready.  A couple weeks ago the soundtrack to the new highly anticipated Muppet movie was released.  Amazing indie rock acts takes on Muppet classics.  I love the muppets more than sunshine to the point where it is extremely awkward when people come into my office and see my collection of Muppet shit, but guess what?  I don’t care.  Muppets are cooler than skinny jeans and flannel.  Before I get into the artists and the record itself I wanna kick it off with a Muppet classic we all know and love done a little bit differently… ok, go.

Muppet Show Theme Song – OK Go

This soundtrack features 12 tracks from folks like the aforementioned OK Go to the sweet solo sounds of Andrew Bird and Rachel Yamagata and pretty much everyone in between.  These new takes on old classics are re-energizing my childhood dreams of becoming Animal when I grow up.

As you can see from OK Go’s take on The Muppet Show Theme Song people are doing things a little differently on this record.  One of my favorite songs is Rainbow Connection.  Done by Weezer and Hayley Williams of Paramore fame. They take a more straight forward approach to the tune and thats not a bad thing at all.

Rainbow Connection – Weezer feat. Hayley Williams

Singer Sondre Lerche stands out among a crowd of greats with his version of Mr. Bassman.  A country vibe mixed with great a cappella “bass” vocals his version of the tune is awesome.

Mr. Bassman – Sondre Lerche

Other great artists include My Morning Jacket with “Our World” and Alkaline Trio with “Movin’ Right Along”.  Both are hugely successful acts who have come up through the indie and jam scenes.  Another great standout is LA’s own Airborne Toxic Event with an awesome take on “Wishing Song.”

Wishing Song – Airborne Toxic Event

As a compilation this record is a gem and as a compilation involving the new Muppets movie it’s even better.  We all know and love these songs and we all know and love the artists covering these tunes.  Here’s a full track list just incase your gonna be “that guy” and not just go out and buy the record based on the awesome tracks you’ve already heard.

  1. The Muppet Show Theme” (OK Go)
  2. The Rainbow Connection” (Weezer and Hayley Williams)
  3. Mahna Mahna” (The Fray)
  4. Movin’ Right Along” (Alkaline Trio)
  5. Our World” (My Morning Jacket)
  6. Halfway Down the Stairs” (Amy Lee)
  7. Mr. Bassman” (Sondre Lerche)
  8. Wishing Song” (The Airborne Toxic Event)
  9. Night Life” (Brandon Saller and Billy Martin)
  10. Bein’ Green” (Andrew Bird)
  11. I Hope That Somethin’ Better Comes Along” (Matt Nathanson)
  12. I’m Going to Go Back There Someday” (Rachael Yamagata)
There is a great balance between the full band blowouts and the small gentle solo acts on this compilation.  Songs to note aside from what I mentioned above are “I Hope That Something Better Comes Along” by Matt Nathanson and The Fray with the popular “Mahna Mahna”.  To end this thing properly I have to post the latter of those two tracks and then as usual with all my blogs, the last track on The Green Album.
Mahna Mahna – The Fray
I’m Going to Go Back There Someday – Rachael Yamagata
By: Steve Rippin | Beat-Play Ambassador Los Angeles | @stevewithMWL|Music Without Labels & Beat-Play, LLC

Ten Out of Tenn at Live on the Green in Nashville, TN [SHOW/NEW MUSIC]

Where can you find ten of the best singer/songwriters from Tennessee in one place to play a concert together?   Nashville’s own free concert series: Live on the Green!

Ten Out of Tenn is more than a band comprised of ten of Nashville’s best singer/songwriters.  It represents a community of friends and artists that make up one of the best emerging artist scenes in the country.  When most people think of Nashville, they think about pop country and honky tonks, but Music City has much more to offer the current music industry.  That is part of the reason why Ten out of Tenn came to exist.  The band showcases the raw talent in a group of friends that “create organic pop music in the shadows of today’s slick commercial country music industry.”  They travel together as a band supporting each other, and as a sum of creative talent on stage, showcasing some of the best and brightest songs and songwriters that Nashville has to offer.  Ten Out of Tenn features Katie Herzig, Andy Davis, Tyler James, Trent Dabbs, K.S. Rhoads, Griffin House, Matthew Perryman Jones, Butterfly Boucher, Jeremy Lister and Erin McCarley.  Will Sayles is the group’s talented drummer.  Check out these clips from some of my favorite new songs!

The idea to form this singer-songwriter supergroup was born while Kristen and Trent Dabbs were on the road.  They recognized that some of their favorite music came from their friends who were also emerging artists.  “We were thinking about how much music we like that happens to be our friends,” said Trent.  “There’s a community of people here with a lot of talent.”  That idea turned into a perfect reality when they were able to get a group of other incredibly talented artists to join them.  Since then, “Ten Out of Tenn has produced compilation albums, a Christmas album, four tours, showcases at music festivals like SXSW, and an award winning documentary, Any Day Now, that debuted during the 2009 Nashville Film Festival.”  The documentary fully illustrates the concept and the purpose behind Ten Out of Tenn, and gives an excellent view of what it means for the individual artists that are part of this team.  Check out the trailer for Any Day Now, filmed by Jeff Wyatt Wilson.

Ever go to a concert and can’t wait until the band plays their best songs?  Well imagine hearing 20 excellent songs in a row from some of the best singer/songwriters in Nashville.  These talented artists and musicians don’t just stand around while one plays their song.  They are also the backing band for each other, and it creates such an amazing vibe.  As individual artists, these singer/songwriters have “released over thirty albums, had song placements in countless television programs & films, and shared the stage with musicians such as REM, Sarah McLachlan and John Mayer.”  However for Ten Out of Tenn, fame or fortune isn’t a priority.  The drive behind their purpose surrounds the age-old concept of creating and sharing their music with other people.  The bottom line is that this group is amazing.  Unfortunately, Ten Out of Tenn has only two more stops on their tour!  Stay up to date with the latest music and tour dates from Ten Out of Tenn and learn more at 10outoftenn.com.

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

NERO – “Crush On You” [VIDEO]

nero - welcome reality album cover

Everyone says it’s always about your timing especially when dropping any sort of news and I must say it was pretty damn good right now as NERO just posted their latest video release. The video features the forthcoming single, “Crush On You” which is to be released October 16th 2011. This initially cheerful track takes to chaos as the killer dubstep bass tones take over your ears and the life of the video. Definitely a great one to have stumbledupon at such a perfect moment. Not really much to add here as I was in the middle of some other work but I just had to get this out to you as I was hearing it for the first time!

Moon Taxi at Live on the Green in Nashville, TN [SHOW/NEW MUSIC]

It’s gotta be a good night when your band gets to open up for Robert Randolf and the Family Band.  That was the case last Thursday night for Moon Taxi when they played at Live on the Green in Nashville, TN.  As a new listener and one of many people there to see the best pedal steel player in the world, I couldn’t help taking an immediate interest to Moon Taxi.  This is a phenomenal rock band with an incredible musician on every instrument, and they can’t help it that they play awesome music.  If you like Music Without Labels, check out this “music without borders” that is Moon Taxi.  Here’s a live video of Moon Taxi opening up for Matisyahu at the Fillmore two years ago.

This video was shot just months after the release of Moon Taxi’s Live album called Live Ride that they recorded in their hometown of Nashville, TN.   Dirty bass lines, tight drum grooves, killer guitar riffs, and slick organ sounds seem to provide the perfect foundation for great vocals and memorable lyrics.  Moon Taxi’s sound has since developed with a couple years of touring, and they are sounding better than ever.  Their feel reminded me of Rush with their synced riffs and occasional odd meter grooves, but they have made those concepts their own.  Their music somehow combines qualities of many different bands and artists.  However, Moon Taxi is their own element, and have completely developed their own incredible distinct sound.  Here’s a video of Moon Taxi playing one of their songs called All the Rage.

Moon Taxi toured last year with Matisyahu, which has opened up bigger opportunities for the band and their music.  They have also opened for acts such as Umphrey’s Mcgee, Gov’t Mule, the New Mastersounds, and DJ Logic.  Moon Taxi has played at a number of music festivals including the 10,000 Lakes Festival, Moe’s Summer Camp, Birmingham’s City Stages, the Terrapin Hill Harvest Festival, and Huntsville’s Big Spring Jam.  Moon Taxi will be playing Southern Ground Music Fest with Zac Brown Band and My Morning Jacket in Charleston, SC next month as part of their nationwide headlining tour!

Their show on Thursday was awesome, and I got way more than what I expected.  Moon Taxi is a modern-day version of the classic jam band, which is why they are such a great band to see live.  They have combined valuable musical assets of their influences and created something fresh.  This is why they have been described as a band interested in “music without borders.”  Their music is undoubtedly progressive, but they stay true to their musical niche.  But wait! There’s more!  Moon Taxi is getting ready to release new music, so check out this video and listen to this sick new track called “Cabaret” from their new album.

To stay up to date on new music and tour dates from Moon Taxi, check out their website ridethemoontaxi.com.

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play, Music Without Labels, LLC

Scott Bartenhagen [Interview] [Free Download]

There’s a lot to like about Scott Bartenhagen, a 22 year old singer/songwriter from Lathrop, California.  He’s not your typical singer/songwriter: he’s 6’7” for starters, loves Sci-Fi and draws inspiration from movie soundtracks and 20th century classical music.  A friend of mine suggested I watch a video of his song Delta Fog, and I am forever grateful that I did.  Scott’s jazz-influenced guitar playing along with his beautifully deep, soul shaking voice make for an astounding combination.  When I met Scott I was immediately drawn to his warm and quirky personality and quiet demeanor.  It was a privilege to interview such a young talent, and it’s my pleasure to help spread the word about this rising star.  Check out the video of Delta Fog below, courtesy of YouTube, and if you liked what you hear (which I know you will) you can download the song for free via the player below.

 

MF: When I first saw your video for Delta Fog I was immediately awe struck and completely blown away by the hauntingly deep and poetic sound of your voice.  I feel that you have one of the best voices of our generation, I know bold statement, but every time I listen to your songs I am instantly inspired, and amazed.  When did you start your singing career?

Scott:  Pretty freaking bold statement man, and thank you so much.  I sang “Great Balls of Fire” my junior year of high school for a 70’s school dance that the high school band put on.  Then I started writing songs, so I’ve been singing for I guess that would be about five years now, I didn’t ever sing before that I was always too afraid.

MF: Have you ever had singing lessons?

Scott:  No, I’ve never taking formal singing lessons, but I’ve had good guidance from friends that were great singers that really helped me out. 

MF:  Like I said, I feel like you have an incredible voice.  I remember the first time I watched Delta Fog, your voice gave me chills.  It was almost hard for me to believe that that voice was coming from you, it really blew me away.

Scott:  Wow man, thank you I really appreciate it that’s awesome.

MF:  I feel that writing lyrics is the hardest part of creating great songs, and you nail it on every song. Where do you get the inspiration for your lyrics?

Scott:  I get the inspiration from my lyrics from personal experience, or nerding out on something.  It also comes from my general love of storytelling.  My lyrics have to sound good coming out before anything else.  That’s kind of the David Byrne theory of lyric writing.  I find words that I think sound great then I use my imagination to put them into situations that make sense when they are spoken aloud.  So it comes melody first, then how the words sound, then what kind of words can I fit around those syllables that still makes a great song, and that’s why its kind of a bigger puzzle than if you were just writing lyrics. 

MF:  In my personal experience with writing songs, I feel that lyrics are the toughest part of writing any song.  If you don’t have solid lyrics then it’s going to be harder for the listener to connect to you.

Scott:  Oh yeah.  I could write like a dozen songs a day, but it takes me a week to write the words for the songs sometimes.

MF:  Yeah, that’s understandable I think it’s very hard to write solid lyrics and you do a great job writing great lyrics.

Scott:  Thanks man, As long as they’re not too contrived, or as long as they’re honest enough, even if they’re not true if they’re honest and they’re not contrived and trying to sound cool, I like it.

 

MF: What are your musical influences, and what artists inspire you to create your music?

Scott: Um, my musical influences would be, movie soundtracks, Joni Mitchell, and Jazz.  Those are the big three, but I also like singer-songwriters that influence me a lot, like my good friend Travis Vick, a local Sacramento artist. His music has a big effect on me. Also, Bluegrass players and anybody who excels at their instruments inspire me as well. That’s a tough question, because I have a whole lot of influences from a lot of different things.  Movie soundtracks are a big one.  As well as orchestral music, and 20th Century classical music is where I get a lot of my melodies.  So that’s a little bit of an idea of how I get inspired.

MF:  As far as movie soundtracks do you have a favorite composer?

Scott:  I like uh, I really like Joe Hisaishi, Hans Zimmer’s pretty cool, he’s kind of a hack, and I like John Williams as well.  Anyone who puts music to motion, I admire, because it’s all about the emotion other than the notes, it’s about evoking a feeling, which I’m a big fan of.

MF:  Is there anything outside of music that inspires you to write your songs?

Scott:  Yeah definitely. Various novels, stories that my dad tells me, great Science Fiction, um, trying to get a handle on politics.  Not that my songs are too political.  I’m not too crazy politically but politics definitely make me angry, and anger definitely inspires me.

MF:  As far as Science Fiction is concerned what specifically about Sci-Fi inspires you?

Scott:  I like all types of science fiction, usually get inspired by near future science fiction, like Blade Runner, or people like William Gibson who write Cyber Punk. It really gets my mind racing, I really enjoy it. I’ve written some songs based off of stuff like that.  A decent amount of my songs have a Sci-Fi twist on them. 


 

MF: You are a phenomenal guitar player, how long have you been playing the guitar, and what inspired you to start playing?

Scott:  I’ve been playing the guitar since about, eighth grade, probably a little bit before that.  Probably ten years.  My mom is a great guitar player so I listened to her a lot and got inspired.  Also, I think a friend of mine got a guitar down the street, and that made me really want one.  I was already playing trumpet in a band, so I figured I could move onto guitar from there.  I didn’t really get into songwriting for a long time, but learning jazz guitar definitely helped keep the fire and passion for the instrument.

MF: Have you had any professional training?

Scott:  I was a music major at Sac State, before I left.  I took three years of schooling as a jazz studies major.  I am a big proponent of taking lessons and learning as much as you possibly can, shedding ego as a guitar player and just wanting to learn.  I took lessons from a really great jazz guitar player, and I learned to play with other people in groups for a long time as well. 

MF:  Also, you mentioned you played trumpet, do you play any other instruments?

Scott:  Yeah, trumpet and tuba were my first instruments and then I moved onto the piano and guitar.  Those are the main instruments that I can play. 

MF:  I notice you have a lot of songs ready to go, are you coming out with an EP or a new album in the near future, and if so will Delta Fog be included?

Scott:  No.  I’m over the idea of albums.  Like every year you make your one album, and then you put an EP out and then you make an album that has twelve songs on it or something and then a whole year passes.  That whole cycle is formulaic and I don’t think it works any more with the way people buy albums.  So I’m kind of into smaller releases but more often.  I think that’s a pretty cool idea.  I have a few releases coming up, I have a five song project that I’m working on called Speeches, that I’m working on at the moment, still recording.  It should be done in the next couple weeks.  Then I have another small project on the way that should come out within a couple weeks as well.  So within this month I’m hopefully going to have a bunch of new stuff done for the world to see.

And I have a new group as well, with three girls from Sac State, a drummer and a bassist. The three girls are singing three part harmonies as well as playing the violin.  I’ve added six people to my group.

MF:  Wow, that’s exciting I can’t wait to hear you play with the new band.

Scott:  Yeah, I’ve already got to play some shows with this new band and they are really freaking good man, they’re really tight.  These two girls sing some amazing harmonies, and we have this bitching violin player who’s incredible, it’s tight man. I can’t wait to play some shows in Los Angeles so you guys can hear it.

MF:  What are you thoughts on the current state of the music industry, and where do you see it going?

Scott:  I think that there’s a lot of music out there. I think the music industry is pretty oversaturated with the Internet now and I think it’s high time for bands to get more creative with the way they do things and how we get music out there, and what it means to have art.  I think there are a lot of creative ways to distribute music, play shows and collaborate.  I think it’s a good thing and I think it’s going the right direction. I just need people to start giving a crap, but I guess we need to make them start giving a crap. 

MF:  As an independent artist, do you find it difficult to accumulate new fans and to be heard amidst the overwhelming amount of music that is out there?

Scott:  I do feel it’s really hard to be heard.  I feel there are so many different avenues for me to put my music out that nobody bites.  I get a good response when I play shows, but it’s hard playing venues when you don’t have a fan base.  Promoters don’t promote anymore, venues don’t want to get people in the door themselves, it all falls on the shoulders of the bands, which is I think criminal.  Live performance is not geared to help bands.  It’s hard finding fans, and it’s hard finding places that want to help musicians get fans instead of just wanting to take their money.

MF:  So which one do you think is more difficult?  Trying to accumulate new fans, or to be heard?

Scott:  I think they’re pretty much the same thing. I would like to hope/think if someone hears my music they’d become a fan.  I can’t force them to become a fan. I would say it’s harder to show my music to people in the right context.  It’s hard for people to find my music and want to listen to it, as opposed to they have to either actually search for it or they find it on some obscure online radio station that never actually works.  So I think they’re both related: it’s hard to find fans and it’s hard to try to get the people who aren’t fans yet to listen to your music to become fans. 

MF:  I absolutely agree.  It was really great to learn more about you as a musician as well as a person.  I enjoyed talking about your music, what you’re working on, and the thoughts you have about being an independent artist, as well as your thoughts as the current state of the music industry.  I am looking forward to your upcoming projects and attending your shows with your new band.

Scott:  Thanks man, I really enjoyed it as well, and I will keep you updated with the projects I am currently working on.  Great talking with you, and I will talk to you soon.

By: Mason Frank|L.A. Ambassador|MasonFrankMWL|Beat-Play & Music Without Labels LLC

 

Kendrick Lamar Live at Porter’s Pub in San Diego, CA [PHOTOS]

Kendrick Lamar Live at Porter’s Pub in San Diego, CA

Kendrick Lamar– “HiiiPower” (available for FREE DOWNLOAD via Dopehood)

Click the pic for more Kendrick Lamar concert shots!

Check out Kendrick Lamar for news on this rising hip-hop star!

Follow him @Kendrick_Lamar

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Black Resume Live at Porter’s Pub in San Diego, CA [PHOTOS]

Black Resume Live at Porter’s Pub in San Diego, CA

Click the pic for more concert shots!!

Check out BLACK RESUME

Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Spells debut “Escapist” album at Musicians Corner in Nashville, TN [SHOW/NEW MUSIC]

It’s another Saturday in Nashville and if you’re the least bit interested in new music from Nashville, you have to be at Centennial Park for another round of bands at Musicians Corner.  There were a number of great artists that performed this week including a new electronic indie rock group called SPELLS.  Led by Trevor James Tillery, SPELLS made their debut performance at Musicians Corner, and gave themselves a great start to a promising season of promoting their new music.  That’s right, they also have a really impressive debut album called Escapist.

SPELLS independently released Escapist on July 15, 2011.  The album travels back and forth between serene melodies and big dirty electronic grooves.  Songs like “Escapist” and “Where Have You Been” really drive the album with dominating hooks and big Muse-like bass lines, while songs like “City on a Hill” reproduce a somber feel with ambient sweeps that seem to support lyrics about a broken world.  Overall, this is a really cool album that contains some very intelligent music.  Both the musicianship and songwriting replicate a great sound and fresh feel.  For example, “Transient” carries a tight groove in an ambient song about the mystery of life.  I feel the need to say, Jake Goss, I love the entrance with the crash on two after the rolls.  It puts a perfect touch on top of those phrases.  Enough of me talking about the music, take a listen to some killer new tracks from SPELLS:

Throughout Escapist, SPELLS “writes about a yearning for something beyond the modern world. He’s rebelling against the technology-saturated realm that adds layer upon layer of complication to life, causing dreams to become a small glimmer in the back of people’s minds as they chase the material.”  (Next Big Nashville).  Tillery has something important to say, and he’s saying it through his carefully-crafted melodic electro-pop.  “These are the kind of songs I write,” he reveals. “These are the things that I’m constantly thinking about and haunted by. And music is an outlet where I can get that out – an outlet to hopefully get other people thinking and start knocking down walls.”

Escapist was produced by Josh Niles and featured Trevor Tillery (vocals, guitars, keys), Brian McSweeney (vocal percussion, backing vocals), Jake Goss (drums), and Adrian Walther (bass).  After working on the record for the last year, it released this summer and has been getting a lot of local attention in Nashville.  SPELLS played at 12th & Porter on thursday night as part of Next Big Nashville’s Soundland Festival, which took place this week.  This is a band that you need to know about.  Keep listening and supporting SPELLS because they’ve really got something here.  Check them out online at spellsofficial.com.

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play, Music Without Labels, LLC

Interview with Beat-Play CEO – Dante Cullari

Beat-Play just announced their official public Beta launch. We’re here today with Beat-Play’s founder and CEO, Dante Cullari, to tell us some more about the company.

Dante, what is the goal of Beat-Play?

Beat-Play’s aim is to provide an optimized digital infrastructure to the music industry as a whole. We want our tools to encompass a full spectrum of opportunities for artists and fans to create, promote, distribute, monetize, organize and listen to music. We understand that there is no one perfect solution that will work for everybody, so our goal is really to provide a number of options for each of the different components of the music industry I just mentioned. All of this is now made significantly easier with digital, online and social technologies, and we feel that centralizing these solutions by defragmenting music into one rich community will also be beneficial for everyone. We want to help create the foundation for a long lasting, sustainable and prosperous world music industry online, as we move forward into the future.

What does Beat-Play offer artists and fans right now?

Our first and current product addresses promotion and distribution for artists (or discovery and sharing for fans), organization and playback. Right now, Beat-Play is a streaming player that promotes music to fans with something we call Bump, which is a search based on tags, or keywords that the user enters. Listeners can use Moods, Locations, Artist Names, Genres, Activities or really almost anything, to describe the music that they want to hear. Beat-Play then creates a custom playlist for the listener consisting of both music and videos (via Souncloud, Youtube and Beat-Play itself) based on matches to the user’s tags. These playlists are updated in real time as music is continually added to the service and tagged. Fans can then save the music that they find and like into playlists, and share these playlists with their friends through Facebook.

While the current product currently offers limited functionality, our next product will focus on adding in new options, as well as improving current ones.

What are you working on for the future?

Our next product will address several issues. We’re working on mobile to improve access. The next product will also be socially integrated which again will aid in promotion and distribution, or sharing and discovery, and we hope to also include some more options for user customization. We want to make organizing and managing your listening experience better, with more custom presets, which again, will help in discovery and also fan retention.

The next big step for us then is really artist monetization. As mentioned before, we realize that one option will not be sufficient for every artist, so we’re planning on introducing things like music and merch stores, ticketing and show booking, commercial music license stores or auctions, and even advertising opportunities.

Advertising is actually something I want to briefly touch on – To quote the Facebook movie, “Advertising isn’t cool.”  In the movie that’s really all they needed to say about it before just turning their backs on it. I feel that this is an attitude that most companies have towards advertising, but nobody really wants to be the one to challenge it. On Beat-Play, we’ve come up with a way around this.

First of all, artists on Beat-Play will own their own ad space, and they can leverage their statistics on Beat-Play and on Facebook to negotiate better rates with sponsors. As far as the ads themselves, you wont see annoying and interruptive commercials, or huge flashy banners. Our ads will instead be designed to actually add to the listener’s experience by offering pieces of bonus content relevant to the artist or the music itself. It could be a music video, a cool app, or even a video game. If it’s Skrillex, maybe it’s a Dj app. If it’s Slightly Stoopid, maybe it’s a surfing game you can play while listening to the music. Also, the listeners won’t be distracted by these ads. On the player itself we’ll use something that we call postage stamp ads, because they’re just about the size of a postage stamp. If the user doesn’t want to engage with the ads, they don’t have to, and they won’t be interrupted by them. For the people who do choose to engage with the ads, they’ll get some additional content that they couldn’t have gotten otherwise, creating incentive to actually share ad content. This provides a great revenue stream to the artists, allows the fans to continue to listen to their favorite music for free potentially, and also provides some great cred for the sponsors involved. Everybody really wins, and this even has some great potential to curb piracy for artists. These are the kinds of solutions that we’re looking forward to making available to the music industry in the near future, using digital technologies to make it happen.

How can people help?

Get on board now. It’s only going to get better, and for artists especially, it’s a good idea to start gaining their fan-base here so they can get their statistics up. Even if they’re not on Beat-Play though, building Facebook statistics will still help them out, and Beat-Play could still help promote an artist if their music is on Soundcloud, Youtube or Jamendo right now. So not being on Beat-Play doesn’t necessarily mean that you can’t still benefit from it, but it’s a good idea to get on there now as we’ll really be able to offer the fans a better experience with their music on Beat-Play if they do. It’s completely free, so there’s nothing lost by trying it, and for fans right now we really offer some great discovery and organization options, along with unlimited, uninterrupted free streaming. Mobile is obviously something we’re really excited about pushing out next.

As we continue to grow, we will really need help from the artists and fans to support and build this community. We need artists to upload their music and tell their friends and their fans. We also need artists to work together in helping to support and promote each other by tagging fellow artists in their own songs. Most of all though, we need artists and fans to really take ownership of this community, and take advantage of the free options we’re putting out there. This really does need to be a team effort, and I think we have the strength and the ability as indie artists to build something huge, so that we can have the kind of impact that we need in order to benefit all of the incredibly talented independent artists out there that are struggling right now, and also to impact the fans that are missing out on a lot of great music because of it. We’ve had a great response from artists so far, and we’re confident that these solutions will bring some big changes to the way the music industry operates in the coming years.

You can go to Beatplay.com right now to sign up, and you’ll be asked to login with your Facebook account. We don’t auto-post to anybody’s walls, or publish any user information, not even on the Beat-Play player itself right now, so your account will still be completely secure.

If you have issues or suggestions, please contact us! We are still in beta so we understand there’s a lot of room for us to grow, but we’re working really hard with our small team to keep up with the demand for more features. The player is best used with Firefox right now also. Again, we really appreciate the support of the independent music community that we’re getting, from both artists and fans, and we’re extremely excited to get to the next level!

Dante, thank you so much for the interview.

Absolutely, Thank you!

To get you started, here are some awesome playlists courtesy of the Beat-Play team – over 6 hours of great tunes:

Beat-Play Launch Mixtape (dubstep, house, indie, hip hop, r&b, electro, other)

 

Mellow Music Mix (Reggae, Indie, Dub)

 

 

Kendrick Lamar Mix (Hip hop)

 

 

Interview by: Kian Bardikalaie